See All the People and Do All the Things…

Good morning on the day after fireworks. For those of you with dogs who don’t like fireworks, you are maybe a little exhausted like me, as I listened to the old lady dog pant and breathe way too fast most of the night. Her breathing is back to normal this morning, but it was a long night. She was doing OK until more fireworks at about 1 AM. I also was doing OK until then. I am way too light of a sleeper for this stuff.

Hope your 4th was enjoyable at least, although I spent a good portion of the day thinking about Native American issues (I’m reading The Night Watchman by Louise Erdrich) and those who don’t feel like the flag and the pledge of allegiance are for them (I am one of those people and I’m pretty damn entitled). But I did step outside to see a few sets of fireworks…I think only half were legal, which is scary in these dry firelike conditions. You’ll appreciate my photo from the bedroom window.

Yeah. Toldja you’d appreciate it. Best fireworks photo ever. Not sure why I try to take these every year, but I do. EVERY YEAR. I’m rolling my eyes at myself.

Also, this quote…

For those who doubt my patriotism. Exactly.

So much art progress has been made. Well. Has it? I don’t know. Things are getting done. That’s a good thing.

So first of all, official photos of the Quilt National exhibit are here. I will hopefully be there in person in September for the closing ceremony. In all the videos I saw posted, I couldn’t see my quilt, which made me sad, but that’s OK. Because here it is in all its glory, thanks to the QN photographer.

I don’t have the catalog yet, so I can’t tell you who else’s pieces are in this picture…

Looking forward to seeing her in person…for the last time, probably, because she sold. But this show does travel, so maybe she will pop up near me somewhere. Hard to say. Again, you can hear me talk about her here.

So meanwhile, I have one piece on a deadline here, so it makes sense that I worked on anything BUT that piece. I finished the quilting on this 20-year-old piece last week, and Saturday, I put a binding on her.

It’s the first time in a year and a half that I could go to that quilt store without an appointment. They still have really short hours, so during the school year, Saturday would be the only day I could go, but hopefully that will change by the time it’s an issue. Yes, I often am buying backgrounds and bindings at the totally last minute.

I spent time Saturday night (with Kitten) sewing bindings on…

And finished those and the sleeves on Sunday night.

She’s about 30″ wide by 43″ high, and I started her in 2000 or 2001. It’s all hand applique. She’ll get her official photographs when I have the one with a deadline completed.

Then (because still…procrastinating the deadline project) I stitched down Desert Bunny, which has been sitting around waiting since March.

(I’m still working on a name for the other one…there are some in the running, but no decisions yet).

She’s small, so she didn’t take long.

And then I sandwiched and pinbasted her, so now she’s ready for quilting…

Which ALSO wouldn’t take long, but I’m trying to be good and work on the one with a deadline. I was supposed to be in Los Angeles for 2 1/2 days this week, but my niece is coming down this week instead of next week, so we juggled our flexible plans into LA next week….thus juggling my art plans as well…I can’t do certain parts of my art process on the road. Odds are, I won’t be working on the next quilt on the road no matter what, but I’m using that trip to motivate me to iron. Why is ironing an issue? This quilt has a lot of small pieces and it’s sometimes tedious to iron tiny pieces (you’d think I’d learn), but also ironing is hot and the light in here is hot and it’s not THAT hot here (no heat dome…yet), but my hot flashes plus fairly reasonable summer temperatures just add up to ugh. That said, here’s an hour or so of ironing done…

Tiny pieces, relatively small quilt. Crazy amount of work in this one. Ah well…the brain knows what it wants. So I’ll be working on this all week, and hopefully be done for the weekend. We’ll see.

I’ve gone back to drawing before dinner…here is Saturday night, in between starter (we hardly ever get a starter) and dinner.

Keep it simple! These are small. It’s the sketchbook that fits in my purse. I got a new purse, a smaller one, but the sketchbook doesn’t fit. Dammit.

Also, I can’t remember if I posted this…it’s Margaret Fabrizio’s Hello Kitty Meats the Dragon.

I spelled it like she did…it’s not hung up yet because I wanted to put a sleeve on it, and last night, I finally did that. I met Margaret some years back (when she was still 80-something) and we liked each other’s work. She contacted me earlier this year about trading a piece of art, and I agreed, so I sent one off to her of her choice, and I got these wonderful eyeballs (I did pick it for Hello Kitty too) back…so now she can hang on my wall.

I also was cleaning up my blogroll this weekend (like you do…once every 5 years, whether it needs it or not), and noticed that an artist I really enjoyed, Olga Norris, had passed away in 2019. I obviously have not been doing a great job of reading blogs. Every year, at the SAQA auction, I would note the Olga Norris piece and get outbid at a much higher rate than I could afford, sadly. Well, her husband is still supporting his wife’s work and posted photos of her last pieces, and offers them up for postage and donations to a charity of Olga’s choice, which is just amazing, so I will finally be proudly displaying one of her pieces here as well. It does make you think about what will happen to all your work when you die, though. I’m sure my children would love for me to have a plan.

In other news, Kitten is still missing some teeth and makes some funny faces while squawking at me.

And I finally got milkweed seeds to sprout! I started in April and apparently killed off a hundred or so of them, but now! Now I haz babies.

IDK how I will keep the bunnies out of the plants though…gonna have to think that bit through. They’ve even been eating the succulents.

And this…

Makes me want to go through all the birding books we have here…just for stupid things like that.

OK, I’m up to go to the gym, like a good person. I have an appointment at the Apple Store to try to figure out if my phone refusing to connect consistently to Wifi is a hardware issue. And then I’d like to do some more ironing together of tiny little pieces today. Tomorrow will probably involve some art stuff with the niece, which means I might actually see my work in a show IN PERSON. I know. Crazy. And hopefully I will also be able to reschedule all the stuff I already scheduled over in an attempt to see all the people and do all the things because yeah. That.

Expressions in Equality Exhibit

So the Expressions in Equality exhibit opened Saturday night, and it has some amazing art in it…Hollis Chatelain’s Girls Are Strong being one of them…

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Visions Art Museum does a nice job of allowing the artists to preview the show and take pictures, so here are Pam RuBert and Susan Shie’s pieces…

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RuBert’s wonderfully colorful Green Lady Liberty, spaceships and all…

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And Shie’s ER: Page of Potholders (Coins) in the Kitchen Tarot

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which I did not have the presence of mind to read, so I will have to go back (I don’t deal well with openings).

Compared to the last exhibit at VAM, this was much less abstract, although Freedom of Speech by Susan Wessels is an abstract piece I like, with Deborah Grayson’s Breaths to the right of it.

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Pauline Karasch Salzman’s Lessons Learned is another one to come back and read, with Ife Felix’s Reverend Dr. King’s Dream Unrealized to the right.

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Jerry Granata’s With Liberty and Justice for All definitely caught my eye…

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And Shin-Hee Chin’s Equality: Expanding Circle of Liberty shows the continuing expansion of her techniques…

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I wish I had gone back and taken more photos here…from left to right is Dawn Williams Boyd’s graphic Sisters in the Eyes of Men, Sandra Lauterbach’s Story of the Wall, Chin’s piece, Judy Zoelzer Levine’s Together on the Field of Play, Alice Beasley’s No Vote No Voice, and returning to Chatelaine’s piece.

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In the back, they hung my Work in Progress with Randall Cook’s piece…

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Here is Cook’s “Gay” Marriage…

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Laura Gadson’s B-R-O-A-D-E-N-I-N-G Beautiful, an amazing piece made mostly of words and the eye staring back at you.

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The curator, Sheila Frampton Cooper’s piece, Marie Magdelaine de la Saint Baume

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The quilting on that piece…I should have taken details!

Mary Pal’s The Other 1% hung next to Patricia Kennedy-Zafred’s Tagged, with actual tags hanging from it.

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Blake Chamberlain’s Harriet Tubman was fascinating to look at up close…

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And here’s me with my piece, finished! Hallelujah…

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The back room has the amazing Margaret Fabrizio’s work…

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Margaret is every bit as amazing and colorful as her work…

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She traveled to India to learn how to make these. I love talking to her; she is interesting and funny and always has an opinion on the topic at hand. Plus she has great clothes.

I did not take photos of every quilt, unfortunately (distracted by people), but this is a strong show, well worth visiting for, although I would have liked shorter statements about each quilt hanging with them and in the gallery guide, which should be available this week. I missed Sherry Davis Kleinman and Marion Coleman’s pieces (there were always people standing in front of them). They did have us write longer statements for the docents; presumably if you were in the gallery, someone could produce a book of those for you to read. There is a hope that this show will travel, but perhaps you will have to travel to it…it’s at VAM through April 4.