Heyo. It’s Monday. And a week of school and art and whatever else I can fit in begins. I had a great weekend camping up in the mountains, although it was definitely chillier than I thought it would be the first night, thanks to a wind advisory. 50-mph gusts took it down to the low 40s, with a real feel in the 30s. Definitely colder than I had planned, although I brought all the long underwear, thank goodness. The second night had no wind and was quite nice…still chilly, which is a nice change, but not so cold you can’t feel your hands and feet. We were lucky to be in a part of the campground with no small children, mostly quiet dogs, and no partiers, for once. It was delightfully quiet.
It was a nice campsite, plenty of shade; in fact, on Saturday, after our hike, it was a little chilly in the shade. I kept moving my chair so I could doze in the sun, which is unlike me.
We did a 4-mile hike north on the PCT from the campground.
At some point, you get a hazy view of the desert below.
It was actually kind of warm, except under the trees. Four miles seemed about the right amount. I’ve been hiking 3 miles every weekend, but the Man hasn’t, so this was more than my normal and way more than his.
It’s a beautiful place to hike though…lots of trees and blue skies and fresh air…a few people, but not a lot. So peaceful.
That golfball thing on the Man’s head (well, it looks like it anyway) is the Air Force Radar Station. I looked it up. No, we didn’t visit. Probably not allowed. I wonder why it’s white, though. It could blend in more and be less obnoxious.
I drew both nights by the campfire…it’s kind of a tradition of mine. Staring into the flames, headlamp on, seems to help me just draw these days.
So many days at home, I’m only drawing for a specific piece or purpose, instead of just drawing for the sake of it. I used to have time for that, even with the day job. Now, it just doesn’t happen.
This will turn into something else. It was a solid start.
Still working in the bathtub range.
Less political. Which I suspect the new quilt will not be…less political, I mean. I have three bathtub quilts I’ve made over the years, and they’ve been more personal than political. I find it hard to make anything these days that isn’t political. The number of insane acts and policies and pronouncements makes it impossible. The loss of freedom for so many people can’t be ignored. I don’t have solutions that don’t involve coups or alien invasions unfortunately, and since Antifa doesn’t actually exist, I have to draw what I want for the world and make it into art. Draw what is and what should be. So these were prep for the next piece. The bathtub quilts will be in Virginia at the Virginia Quilt Museum starting the end of January. I’ll be there in March for the closing ceremonies.
The first night was already cold, so we were already starting the fire at like 5:30 PM. It was still daylight, so I was stitching on this little tree. It is a tree. Can’t remember what kind…obviously Sue Spargo and very stylized.
Here it is the second day…
The Man was napping…I did a little of that and some reading too. I appreciate the time to just sit and be with the things I want to do. I did bring grading with me; I don’t usually, but I’m in panic mode. I graded one week’s worth of homework in the car on the way up and finished it Saturday afternoon. I then came home Sunday and did a ton more. And no, I’m not done. I’m buried. Sigh.
This was the cold cloudy windy night…
The moon was very bright both nights, which was nice.
This was the beginning of the book I was reading.
Too true. I did all those things this weekend. Except commit felony homicide and move a body. And here’s a quote from the book itself.
I wish I really loved the book (I don’t…it’s OK, but not really my thing). I did love some of the phraseology and ideas. I have another book by the same author…this was a book club book. I’ll read the other one and decide if she’s just too cozy for me. I don’t mind SOME cozy stuff, but this was a bit too much. I’m not even done with it and I’m really done with it.
Here’s my level of cozy at the moment. Gotta love some Richard Scarry.
And Ruben Bolling did it well.
OK. We’re still in roller coaster design today. Hopefully the next three days won’t be hellacious. Thursday was a bit much, but I have hopes that once they start actually taping stuff together and testing it, it will be very focused and I can get some grading done. We’ll see how that goes. Then a 2-hour staff meeting that could possibly be an email. And ceramics? Hopefully. I’m delivering my quilt to the photographer tomorrow and when it comes back, shipping it off to the new owner. Which is good, because I have bills to pay. Sigh. Money stuff is stressful. What’s new, right? And then hopefully, I’ll start drawing the new piece. It’s going to be big, but it has to be finished in December, so it can’t be huge. Keep that in mind, Kathryn.
Short weekend? Long drive on Saturday, totally worth it, but wish the driving parts were less heinous. I can never go to LA without it taking 9 hours. It’s like the ER…it’s always 4 hours (except when it’s not). So yeah…the quilting is also going oh so slowly. The thread keeps breaking, even after I did all the things.
It wasn’t breaking Friday night, actually. A little. Then Saturday and Sunday night, it was nonstop.
I was near the end of a spool, so I figured it was that. The thread gets in a weird position. I changed the needle, adjusted tension, cleaned everything out, rethreaded it a million times.
Finally finished the old spool and put the new one on. It breaks again. Aargh. Slowpoking it through the last bit of this. At this rate, not sure when I will finish. I did buy binding fabric Saturday morning…it’s why I didn’t get an earlier start to LA, although I was on the road north at 9:30 AM. Didn’t matter. It was 3+ hours up, an hour up there, then an accident on the way back. Got home at 6:30 PM. Ugh. Blood sugar was a mess the whole time. Fun times.
That said, the Bisa Butler show up there was amazing. Totally worth it, even though I’m exhausted and grades aren’t done.
Just staring at all the glittery things in these pieces…
The tulle, the lace, the fur, and the velvet.
And the vinyl…or whatever it is. Oh my.
These are some seriously touchable quilts.
Her arm had lace and tulle…gorgeous.
Also be impressed by my ability to NOT take a straight photo. I had been in a car for over 3 hours.
This piece glowed in the gallery.
But not so much in the photo.
The feet are in the water…the vinyl water…
I’m sure there was a list of pieces and names somewhere, but I never found it. Probably would have had to talk to the people in the bookstore. Ugh.
Texture.
Her machine probably doesn’t break threads like mine.
Mine does need to go in to be cleaned…oh my, look at the fabrics in that piece.
I need to be a thousand times more ballsy with my fabric choices.
I walked to Jeffrey Deitch’s other gallery, which was a feminist art show.
It drives me a little crazy that they’re not labeled. So IDK who did what.
The show is It Smells Like Girl.
Not sure how I feel about that either.
But there were a few pieces I really liked.
I was raised in LA…
And it feels familiar but not.
So many freeways I don’t recognize.
Anyway, it was a good trip that took too long. I should spend more time next time, or stay overnight, or leave earlier. I don’t know. It’s frustrating, for sure. There’s plenty of art up there I’d like to see. And now my grades aren’t done, which is stressful. So am I making the wrong choices or does my day job just suck up too much time? Speaking of the day job, my co-teacher and I dressed up for Mismatch Day.
I’m back after 4+ very busy days in San Francisco with the girlchild, who is really very patient and fun to be around, even though we are now both sick. I’m not sure how. Maybe someone at SFMOMA? Someone at the show on Friday? Hard to know. Still an awesome trip…so much art.
Here’s all of it chronologically. Mostly. Before I left, I did some more ironing on the quilt in progress that won’t be done before school starts (which is fine).
And I washed out the last two dye paintings I did. The dye seems to be holding particularly well, being 8 days old at this point.
The one book that made any claims for how long the dyes last said 5 days; the other one said, yo, document your shit! So yeah, some of the dye is washing out, but I still like it.
NOW, today, the dyes are hmmm…15 days old. I haven’t tossed them. I was hoping to do some this week. This is before I got sick. We’ll see how it goes.
OK, so Thursday, I flew to San Francisco kind of early so we could do the one day SFMOMA is open late…just for Ruth Asawa’s show. And wow. Not only are her iconic pieces truly beautiful in person…
And the shadows!
But there is a lot of background info and other artwork of hers as she branched out (sometimes literally) that adds to the exhibit.
Also, holy crap, but she had 6 kids and was able to create consistently. I appreciate that. We did joke that almost every piece was called “Untitled”. She did some things with pens and patterns, plus ink…the repetitive quality of her work is very satisfying to experience.
And her later, more branching work, is also beautiful.
I really enjoyed her work.
We watched another segment of the Ragnar Kjartansson The Visitors exhibit. I’d seen about 20 minutes of it last July, and saw another 20, the last 20. Truly beautiful.
And we went through Yayoi Kusama’s Dreaming of Earth’s Sphericity, I Would Offer My Love again.
Last time, there was a huge line, but late-night Thursdays seem to be the best time to go. Also, the show has been open for a year and is closing soon.
We had a late dinner and went to bed.
The next day, the girlchild needed to work and I had a couple of shows I wanted to see, so I headed out at a reasonable hour. I was staying in the Mission District, and the murals blow my mind every time I’m there. This is Boneyard Luv by Raiz y Gonzalez con Safos.
I didn’t get the mushroom artist.
And then I took BART over to Berkeley (easy to get there once I figured out where the station was) to BAMPFA to see Routed West.
I do love some old quilts, especially when they’re wonky. This is by Willia Ette Graham, started before 1944, completed in the 1950s, repaired in 1985. I love the addition of each set of new bits. Started with a crumb quilt and moved on.
This is a shadow star by Rebecca Smith and Bettie Chaffold (mother and daughter). I like the color of the squares with the stars.
This is Alice Neal’s Mary Bright Commemorative Quilt from the 1950s, in honor of her mother.
The center is very contemporary art quilt, with the hat and embroidery.
This is Quinciana Tatmon’s fan quilt. I love that she didn’t make it the way most fans are usually designed, and they she randomly appliqued them on top of the background. This is from the 1950s-60s.
And I always love clothes being put whole into a quilt. This is a britches quilt by Arbie Williams, pieced in 1993, and quilted by Irene Bankhead.
There are a lot of repeat names in these quilts…many were just tops and were finished later. I have a few of those from my grandmother lying around.
This was pieced by Cora Lee Hall Brown in 1981 and then quilted by Willia Ette Graham. there is one block but its repeat is so random and yet repetitive in a beautifully random way.
This was pieced by Louisa Fite in the 1950s-60s. It’s a log cabin with the blue and white feathers at the center of the log cabins. It was quilted in 1970 by Joan Thompson, her daughter.
More fun colors here…Johnnie Wade made this piece in 1996. Very graphic.
But check out the star and how it’s attached to the background. I love this. Because it’s not straight and it’s all buttonhole stitched down by hand.
Whatever works y’all. Great show…again at BAMPFA through November 30. From there, I walked through one corner of UC Berkeley, where I saw this sculpture by Arnaldo Pomodoro. This is Rotante Dal Foro Centrale in 1971.
I went to Stonemountain & Daughter Fabrics, bought a few half yards, but also felt like I should be making my own pants. In my spare time. It’s an option, I guess.
I have buttons in jars too, but nothing like this guy. I knew about the clothing, but my favorite piece in the show was this bathtub covered in buttons with the hint of a female figure (in white). This is darkmuskoilegyptiancrystals&floridawater/redpotionno.1 from a poem by Ntozake Shange. It’s about suicide and self love.
I was also fascinated by how he used buttons sculpturally.
And turned denim clothing into things they weren’t…this is the yoke and sleeves, but I also like how the pockets hang down.
Also he does some stitching between the buttons.
Here’s some more stacks…on this sleeve, kind of protective.
Another yoke, this is no sleeves.
I wasn’t great about documenting titles in this show. This is Button Apron: Black Target.
These are Button Shorts: Chillin’ Chaps.
And my favorite speedos…Button Speedo: Black Ice.
Nobody is coming near you with those on.
The show offered a chance to make your own button necklace or bracelet, so I did.
There was also a small exhibit there called A Roadmap to Stardust with this little ceramic sculptures of what look like astronauts. The exhibit was created by artists Neil Forrest and John Roloff (collaboratively known as OortCloudX).
It’s supposed to be an archaeological dig.
They’re fun.
Definitely an interesting little exhibit.
Oh here’s the 5 fabrics I did buy. I wanted to buy linen type stuff for pants, but I didn’t.
After all that, I made it back to the Mission and headed out for dinner with the girlchild and two of her friends…more murals. This is by Nychos, who I’ve followed on Instagram for years…nice to see one in person.
We had a great Burmese dinner, then walked a million miles uphill to an art collective to watch a friend of theirs sing in a band in the basement…it was mostly 70s and 80s with some more current stuff. Fun times.
The next day, I had persuaded the girlchild to take me to the International Fiber Arts XII exhibit in Sebastopol at the Sebastopol Center for the Arts. And there’s the bridge.
Me in front of my piece War Zone.
This was an interesting and varied show…not just quilts, but all types of fiber arts, which is nice. This is Oh Know by Mark Sullivan.
Here is Does the Caged Bird Sing by Jóh Ricci. A really intriguing texture.
I realize this is a fungus, but it also looks like a dress to me (it’s highly likely it’s supposed to look like a dress). This is Mango Tango by George-Ann Bowers.
This interesting piece is Fairyfellers by Leonard Greco.
Intriguing characters…
This is two different pieces that work very well together. The top piece is Chimera by Erica Dincalci and the bottom is All in a Band by Mercy Hawkins.
The 3D work was fascinating. Here is Il Sogno della Bambina by Penelope Lenaerts.
More buttons and texture in Still Kickin by Marie Bergstedt.
These black clouds were very cool. This is Cloud Bursts by Kathy Pallie.
And this little cutie by Eileen Morabito, Make Love. Fuck War.
It was a very visually entertaining show that closes this week, I think.
We drove out on Florence Street, where we started to see the work of Patrick Amiot and Brigitte Laurent. Almost every house had a sculpture in the front yard, and then we saw them all over town.
Patrick builds them out of junkyard remains and Brigitte paints them.
I love all of them. I want one in MY yard.
We headed out for the winery experience to a tiny but lovely place, the Horse & Plow Tasting Room. They do wine and cider and have a lovely outdoor space.
You can see we kinda needed this.
We shared one because this place is 90 minutes away from the girlchild’s home, so it was nice that she drove all that way for me.
When we got back, we rested a bit and headed out for bao and dumplings, which was fun. We happened to walk through an art exhibit on the way back and saw two art quilters’ work I knew…Joe Cunningham’sShelter dominating the exhibit.
The exhibit was for locals about the area and had a lot of fun work in it.
We walked back through the Mission…
The next morning was a late start for us, in that the girlchild wanted to watch a soccer game and I decided to wander around, feed myself, head over to Balmy Alley to photograph more murals, yadda yadda. I like how they all have their fists up in this mural by Martin Travers.
This is Victorion: El Defensor de la Mision, by Sirron Norris.
I kind of like the chairs here, but it blocks the painting a bit. This is Cosmogonia by Chilovia, Raiz-Peskador. I see two Instagram accounts on the painting: Pancho Pescador and Pablito Something.
I love the detailed storytelling murals. This is Mission Makeover by Lucia Ippolito & Tirso Araiza, her father.
Two details I found really interesting…this with Adam and Eve being pushed out by riot police is way too close to the ICE kidnappings happening recently.
And this bit with the monkeys and the guy that looks like he’s in court robes by plugged in with his mouth zipped shut.
Great imagery. This piece too…Women of the Resistance by Lucia Gonzalez Ippolito (the same artist from the last one) and more (the names are very hard to read, even in real life).
The upper portion with all the puppeteers of evil is amazing. There are strings coming down from their hands to try to control everything.
Absolutely on topic.
That gas tank dispenser…
Here is an older one; the part with the name is deteriorated…bottom left corner.
I like the tree with the body below in this one…by Laura Campos.
This sign was in one of the windows in the alley…I heartily agree.
I passed this trailer parked on 25th Street enough times to agree with it.
This is Leyend Azteca, which was directed by Leia Maahs and Jaime Wynn, painted by a bunch of people, possibly originally painted by Gustavo in 1978. Long story here…bottom right corner.
The girlchild eventually picked me up and we headed south to Filoli, which is this huge mansion in the middle of nowhere.
But it had (17,000 people AND) 6 of Thomas Dambo’s trolls, made from recycled materials. I saw one of these in Seattle and have kept an eye on them since.
It’s an expensive trip, unless you’re a member, but I found between the trolls, the gardens, and the house…plus there happened to be an art fair while we were there…it was worth it. We spent about 3 1/2 hours wandering around (in the heat, to be fair).
It was harder to get photos without people in them…
Hence no picture of this one’s face…
Except here, where I cropped out the entire family in the lower half.
And this one never had no kids on it.
But this is nice. And yes, they all have names and stories and are very kid friendly.
But awfully adult friendly too.
Super loved this place.
The gardens are pretty and have some interesting stuff in them.
And the house…well the ballroom is amazing and so are all the kitchen rooms (multiple rooms).
Yeah, I didn’t have time to figure out what these were.
I tried to get a picture of the squirrel I saw this morning running along the wires in front of my second-story window, but that didn’t happen. I flew back this morning…which is kind of when the girlchild and I realized we were both sick. This flight was delayed as well, which might just be a summer thing. And then I spent most of the afternoon lying on the couch or the bed and sleeping. I’m feeling a bit better now, but suspect tomorrow will still be ugh. I was just thinking I hadn’t been sick in ages…well, since my trip to Ohio, when I actually got sick when I got home. Fun times. It was a great trip…lots of good food and time with kid, plus art up the yinyang, whatever that means. Totally a cool time. I’ll be resting up for a couple of days and trying to figure out how to be ready for school next week. Too soon, y’all…too soon.
Sure I’m never gonna have just one thought. My brain works way too fast in a branching psychosis that may be helpful in some situations, but sometimes ties neurons up in knots and creates flailingness. I’ve been working on art stuff most days for about 4-6 hours on and off, depending on the state of my brain. I should be able to work for 12 hours, right? I do know that pre-COVID, I would spend 6-8 hours on a break day or a Saturday, just working on one piece…but that’s a known process, it’s ironing all the pieces to fabric, it’s cutting things out…the idea already exists, the process is something I’ve done for years. This? Is not. This is fucking around with new ways of making. New ways of thinking and working. Somewhat exhausting. GOOD, but definitely the neurons needs breaks.
Here’s my thought. And it’s one I’ve had before but it is just being reinforced by this week away. I need to do this full time. Well…I first was going to type “more”… but full time is the reality. Nope, the reality is that I can’t afford full time right now. I’m watching a webinar right now where I know these artists are full time…and I don’t know HOW (retired? Partner supports? Independently wealthy?). I am none of those things. I am aiming for the first. The other two are out of reach. That said, I can do more. I think. I say that and then school punches me in the face. Imma punch back this year.
SO. I just posted all these pictures in order of when they were taken using the ancient iPad, and that’s not how I usually write. I usually do it more thematically, but I don’t want to waste two hours like I did Wednesday. So it’s gonna be that way.
The dye paintings have to sit MOIST and DAMP for 24 hours, so I make piles of them in cut-up and taped plastic bags with the dates/times written on them that I painted them, and then I wash them out as I go, more than 24 hours later. I knew that peach would get less orange, but I love that the blue stayed so blue. I love the top one…the bottom one I also love, but it will need some handwork, I think.
I’m trying things out here. On the one hand, I like the thin line I get with the tiny applicator, but it’s hard to draw with on fabric. The thicker ones are easier, but bleed more. But I also want to mess with just color and dye. So this is all trying stuff out.
Scrub jay. It’s loud and visits every evening. Last night, they brought a friend.
I forgot to take a picture of this piece before I covered it; the thin lines dry out really fast and it was in the afternoon, so it was warm and windy and I was afraid it would dry out too much and not set. And I haven’t washed it out yet…so I don’t know whether it set or not. That’s on my list for this afternoon.
Here’s the other line one I did that WAS washed out, although it needs more washout with Synthrapol…there’s a shadow as I let it dry. Obviously, these need color. Or maybe not. I think they do.
I have fabric paints and pencils and pens and a whole host of shit I brought and am not going to get to try. I overplanned. Wait, I always do that. It’s not a surprise. The Man is coming to visit today through tomorrow, and I’m going to send some stuff home with him, because I’m either done with it (threadpainting) or I’m not going to get to it (ceramics, probably paints & pens & pencils…still thinking about that). Once he leaves, I don’t have much time left anyway…just Saturday afternoon and evening. Sunday is mostly packing and cleaning.
This one…I love this one. I outlined with a thin brush, not the applicator. Still a pain, but less than the applicator. Then painted. The color, the orange, a lot will wash out. but I still love this.
Once you mix the dye paste, it’s hard to know how long it will last. One book says 5 days; the other says “keep track as you work so you know”. Um. Well. This was yesterday morning, and I mixed all the dye paste on Monday (took forever because of the wind). I think today is day 5. I still have a bunch of paste left, though, so I might just keep going and assume they’ll get more pastel with time? It really is just a matter of how much of it washes out. I have a shit ton more fabric. And a lot less wind at home. And a few days off before school starts. Actually, there are a million doc appointments in three days, and then I leave for San Francisco and the girlchild and more looking at art. I love this for me!
I read Christopher Moore’s new book, Anima Rising. It was great. Lots of art and cultural and literary references.
I love Sedna.
This is either the same alligator lizard that was on the door or another one (I think it’s a bigger one, honestly). NATURE!
Luckily, this one was outside. With the snake and the squirrel and the fox and the ravens and the owl. But NOT the spiders. I’ve killed 5 so far, 4 of them giant ugly grass spiders who survive multiple shoe whacks, and one bit me while I was asleep (not the grass spider; something smaller and bitier)…on my NECK. Freaked out by that. And yet, I continue to walk around barefoot. I did leave out the spider-killing shoe though…as a warning?
I was on two Zooms yesterday, one where an artist explained how she bought a church and remodeled it to be living space and studio (not happening here in San Diego…Susan Lenz, in case you’re interested) and one was my local SAQA meeting, with a presentation by another artist (Angela Jean). Both were interesting, but I couldn’t focus on anything else, so I embroidered the…is this June?…block of Sue Spargo’s Rooted. Finished this one…
And started July. Here’s the setup where I’m working on the female figure. I thought I might work on that, but apparently the brain can’t listen with intent AND make art with intent.
I need to edit some of these photos, but I might have to go back to the iPad for that, OR leave them be. Frustrating process. Not sure why I can’t do it on the app here.
Here are these two washed out. I love the top one. The brown washed out but still looks great. I can quilt this and it’s done. The bottom one…well, I loved it when I painted it, but I used the thicker bottle applicators and it bled like crazy…which doesn’t work for this. I’ll have to decide whether to fix it somehow? Or chalk it up to practice and make a cat blanket.
This one I think will wash out well…the browns have a lot more colors in them that will show up after the washout. I had a plan, but then accidentally dropped dye in some places I didn’t originally have dye…
A learning experience. I did this one last night. It was dry and the wind kept picking up randomly. There were storm clouds floating around, but nothing stuck…until the 5 seconds of rain at midnight or so.
I just take lots of sky pictures…weird for someone who isn’t really a landscape artist. The sky is way more complicated in person.
In the afternoon and evening, I worked on this. OMG this is so time consuming. I guess I didn’t come up here to find faster ways to make art. This is with 9 hours in.
I get one section pinned and then stitch it all down (by hand…that may be part of the issue, but hand stitching doesn’t make things as flat as machine, and that’s what I want). I had to add another section to the bottom to accommodate the feet. I still need to work on the lower legs and then the arms, and goodness, she might need a head. So it’s not getting done here. But I like it. It needs a lot more. Also, I so did not need to bring two giant boxes of fabric for this. But I ran out of time to edit fabrics.
So yesterday was business day 6 of not hearing back on the boob biopsy. I called in the morning and they said all the things, I found out that my doc IS on vacation this week (she’s allowed), and I asked for the sub doc to call back or something. The nice man (who is a man and maybe doesn’t understand boob anxiety) said “oh I’ll send a message and they’ll answer in another 3-5 business days”. OMFG. I explained that I’d already waited that long. I have an appointment with my doc next Tuesday anyway, but I really don’t want to wait another however many business days to hear. Did I hear yesterday? Nope. Nothing. Kept my phone on all day, nothing but fire warnings. SIGH FUCKING SIGH. So this morning, I wake up, slowly, and I check my email while trying to get functional enough to do another dye painting, and Sharp sent an email that new test results were released, check the app, and my heart races until I get the app opened…and there’s nothing. No new results. No letter. No message. Nothing. Fuckers.
So I painted this.
The wind picked up, but I think I got my point across. It’s not even the correct boob, but I don’t care. And then I sat through an art webinar that told me I needed to quit my job and make art full time. Ha! It didn’t actually SAY that; I just thought it afterwards.
OK. So I’m still boob anxious. Betting that doesn’t change today. I need a walk, I think. I need to wash out like three things? I think. Maybe two. I have a meet and greet tonight with the other people here. Need to bring an example of my work. Ha! I need to clean up and organize a bit so the Man has a place to sit. I need to work on the lower legs of that other piece. Oh shit, I drew last night too…apparently that picture didn’t come over. Let me see if I can do it on the phone (how many devices do I need to post one thing???).
Answer: three devices, because two of them suck. Well, they all suck in some way, or I wouldn’t need more than one. Original post started on ancient iPad, added most photos there. Saved draft. Typed most of words on laptop. I am old school. I am also old. It’s just easier to type with a real keyboard than hunt and peck. Edited photos and added the drawing photo on the phone…too small for typing.
Walk, then eat lunch, read book, then clean up. Wait. Check Find My app to see if the Man left already. Nope, he’s in the bedroom (scary, huh? He’s actually probably in the bathroom.). So I have at least 90 minutes before he gets here. Then wash out any dye painting that’s more than 24 hours out. Then do other things. Art things. Maybe talk to a human today. I haven’t in a few days. Except on Zoom and the phone with Sharp. OK. Do the things.
Hello from Temecula still…it’s not far from home, but it’s far enough. I wished yesterday for my ironing board, but survived without it. I forgot Q-tips, but someone had left some. I might leave the center today to buy some stuff…or I might not. I’m feeling like town would be a shock to my system. So do I really need the stuff on my list? Probably nots.
Things I’m realizing so far: I hate rethreading my machine. It’s not hard. I just don’t like to do it. On this thread painting, I rethreaded it at least 25 times. No 35. Too many (for me).
She needs a base to live on…not sure what that looks like, but I’ll figure it out. Maybe when I get back.
I made about 14 dye paste colors, then painted one Monday night…
I think a lot of the orange will wash out, but we’ll see. I will be washing that one out after writing this and watching the SAQA Textile Talk about art communities. I will be washing Tuesday morning’s piece too…
Dye is nuts because it has to stay damp for 24 hours and then you still don’t know what it’ll look like. I’m embracing that. (Update: it’s taken over two hours to try to get this post to publish even as a draft…the iPad is old and apparently couldn’t handle it any more…so I’ve washed both out…I’ll post pics of those once they’re dry. I’ve also spent the last two hours listening to sirens going by; there’s a fire about 10 miles east of us that ballooned up to 200 acres. It’s moving away from us, but I did walk up to see the smoke–I’m down behind a hill–and was distracted by the Watch Duty app and evacuation warnings. None here…)
I did a black outline piece Tuesday evening, but the wind kept popping up and I didn’t want it to dry, so I didn’t even take a picture of it.
Finding places to store these is getting problematic as they get bigger. Now I’m just stacking them under that table, but the oldest ones are on the bottom…which is only an issue if I’m being systematic about washing them out. I want to see what they’re gonna look like. Am I wasting time on these? No because it was something I wanted to try.
Trying to beat the wind, I got up a little early this morning. I went to bed early but then had a blood sugar issue and didn’t get back to sleep until late. I might need a nap later. This one has a lot of color, and I used the dye bottles to draw.
I can’t say it’s easy to do and the dye paste might be a little runny, but I wanted to try.
This one I started because the wind hadn’t picked up yet, so I decided to try a small one with brushes instead of the bottles. The first one I did was all brushes too.
The dye paste mix is apparently good through Friday, so hoping for two or three more a day.
I also pieced a background for a more free form piece I’ll be working on today…I think.
I have a limited amount of non white fabric (I have a shit ton of that)…wait, not true. I have a lot of crazy-quilt-type fabric with me, but wanted a cotton base to build on.
This is where I wanted an ironing board… but I figured it out. I have a small pad, but it was hard to get this done. It’s still not flat but there’s gonna be stuff on top, so it won’t matter. I’m very cavalier about flatness. A lot of it quilts out, thank goodness, because I am not a master piecer.
There was a sunset meet and greet, although only two of us showed up. We had a good conversation though.
It’s really hazy up here, apparently still from wildfire. Little ones keep popping up, but nothing I can see from here, thankfully. I have my phone on in case my biopsy results come in…pretty sure my doc is on vacation unfortunately. I may call if I haven’t heard by tomorrow. Today is 5 business days. Stressful. So the phone keeps chiming in with fire notifications instead. I did not realize the original arts community up here burned back in 2004…so this is the rebuild. So it’s a good idea to keep the phone on.
In the evening, I like to sit and cut things out or stitch. I finished all the Wonder Under on Monday night…
7 1/2 hours. It’ll have to wait until I get home to get sorted and ironed to fabric.
Then last night, I pulled out the embroidery threads and that black and white improv quilt I finished last week and started working on it.
I don’t really have a plan, which is fine. I’m going to be here for a while (here being handstitching on this piece).
Ok, some random things…I brought way too many clothes for someone who was gonna spend 50% of their time in one set of barely acceptable dyeing clothes.
On Monday night, a huge spider (ok my Australian readers will laugh at my idea of huge, but a lot of ours are poisonous too, so bear with me) ran across the floor into the pile of stuff I brought and I got up and halfheartedly looked for it, but figured it would just stay out there. Until I went to get ready for bed, and faithful readers, either there are TWO of them or that fucker followed me into the damn bathroom. Big and stalky. Nope uh uh. Got a shoe and waited for it to get out of a corner and whacked it 5 times before it succumbed. Flushed its body but there were three legs I couldn’t deal with…too creeped out, so I left them. Next morning, two legs were gone. This place has ants….not horrendous but enough that you don’t leave your dishes out, and those annoying bastards had taken the two legs for me. By this morning, they took the last one. I feel more friendly toward the ants now. Also there better not be another giant spider in the house. I killed a big red ant and a smaller spider, and then there was this guy…
I called it “Sir” about 10 times before persuading it to leap from the door.
I was going to go run errands, but none of them are desperate. Fire makes me anxious. Plus I haven’t gotten much done (besides dye painting two things, washing out two others, watching an art zoom, and trying to write this beast…way easier on a computer than the iPad, for sure. I need a new one. It’s ancient.) and I feel sort of reluctant to go anywhere. I’d have to put a bra on probably. And fight all those fire engines to get out (not really, but I’d rather stay out of their way).
OK. Rest of the day? (Note to nosy self: bring binoculars next time you’re on a hill.) Start freeform placing the figure on the pieced base. That’s all I’ve got. Brain is tired. I have lots I can work on…not worried about that. Play some music to drown out the sirens…that damn fire app will tell me if there’s an issue, but the fire is definitely moving east, away from us. Drink more tea.
Oh hey. Monday…first full day at my residency at Dorland Mountain Arts in Temecula…really just a week away from all the shit I need to get done at home and a chance to try out some new and/or different stuff. Right now, I’m waiting for the midday wind to die down so I can make more dye paste. I made some this morning and had to make more print paste. When I went out to make the rest, the wind was a bit crazy, so I did some thread painting instead.
Meanwhile, I had two pieces in the Infinite Rivers exhibit at The Front Arte Cultura gallery in San Ysidro on Saturday night. This is My Body. My Choice.
It’s about abortion rights, looking at different types of people who might need an abortion, pushing back against the bubble people who try to force their beliefs on everyone.
This is Same As It Ever Was.
When I got there, the little girl was leaning up against the quilt and eating. Her mom or grandma was selling some baskets and woven things, so they were sitting next to it. I asked the little girl not to lean on it (it is mostly washable, but I try to avoid it if possible) and then later told her she needed to be in the photo, so she produced a perfect smile (unlike me, who often produces some fake smile and I don’t even know where it comes from).
This quilt is about a lot of things…white women’s feelings about Roe v Wade falling, while people of color, indigenous folks, and LGBTQIA folks remind us that for some, it has always been this way, big red-faced white men in suits and robes yell at us about all the things we don’t get.
It’s a great show with a lot of variety. I’ll try to post more when I get home. Some things are just easier on a computer than on an ancient iPad.
I’ve been cutting out more Wonder Under up here…now 3/4s done.
I will probably finish tonight, ready to sort and iron when I get home.
I packed Saturday night and Sunday. I wasn’t sure it would all fit; I’ve got 4 different types of projects I’m working on here and they each use a different part of my stash. Kinda nuts really.
Here’s the cottage I’m staying in…
And the porch where I’m dyeing…
Fabric dyeing. Not end of life dying. that silent ‘e’ is really difficult in a conversation.
Did a short hike yesterday…up to the tiny lake, down to Sunset Point, up part of the Dorland Mountain and Bee Canyon hikes. It’s too warm to hike until 7 PM-ish, which doesn’t leave much time. I’m not an early riser. I also prepped some of the chemicals for today. I should have done more, but I didn’t realize the wind would be so boisterous.
I also prepped the fabric. Then last night, I tried some line drawing with the machine…
Thread tension was cranky as shit, even after I cleaned everything out. But eventually I got something to play with. Then today, I tried some thread painting.
Got a lot more to do on that one.
I still have the dye stuff set up outside (consolidated now because the wind blew most of it off the table…wind is not joking)…
Storing some in the bathtub so it doesn’t dry out.
I’d like to take a nap (didn’t sleep well), but I feel like I’m waiting for the doc to call with biopsy results and don’t want to sleep through it. Silly. I’m sure I’d hear it. Just tense about it.
Ok, the wind is still nuts. I know it calmed down last night. So I’ll do some more stitching inside until it chills out. Here’s a treat from last night…
Oh yeah. Again. Lost days. I can’t remember WHY yesterday was a lost day, but it was. It wasn’t. I did things. I might not remember what I did, but I did things.
The current quilt: I’m trimming Wonder Under…
It’s remarkably slow.
I’ve made it halfway as of last night…
And it’s taken almost 5 hours. There’s two more yards to cut out. Just a lot of smaller complicated pieces. I won’t finish before I go on my residency. I’ll probably take the remainder with me, just as brainless filler. Along with other things. All the things.
I met with friends on Thursday and did some stitching on this…
I worked on it last night too, and it’s almost done. I’m taking it with me next week too. Like I said; I’m taking everything. Just moving the whole stash up to the cottage and then bringing it all back. Not really. But it kinda feels that way.
I thought I had finished all this until I was packing it up and realized the gun on the tank is not glazed.
In reality, I’m gone for a week and we’ll see where it’s at when I get back. This hand has broken off more times than I can say…it’s slightly lower than the board and the board doesn’t fully support it.
Stupidity on my part. Hopefully it will survive the next week. I am taking some clay with me…one thing that’s formed that I started carving into like three months ago. Another slab of clay to make something else to carve. I need to make the wet box today for that.
The girlchild is here for a long weekend. She cooked us dinner last night, but there is always time for Simba.
He likes it.
I screenshot this because I like it…
I actually have been trying not to use the word beautiful to describe people or smiles or eyes or hair or whatever. I’m not perfect at that though. But yeah, beautiful is not something I’ve ever been…and I’m OK with that. Or pretty honestly. And right now, I have another hole in my boob and an allergic rash from the adhesive patch and a scratch from Kitten. Oh, and acne at age 58! Ah well. I forgot to wash my face one night. So there we are.
Today. Today is packing and organizing and trying to be ready to leave tomorrow. Plus an art opening down in San Ysidro. And getting the office ready so Kitten can be in here without my carrying her out to the litter tray and food 5 times a day (yes, that is what I am doing at the moment.). Hopefully next week, I’ll be able to get lots of fun things done. And maybe blog on time (it’s my schedule, so it’s on time is what I say it is.). And maybe just be an artist for a week. I food prepped yesterday to help with that. I don’t need to think about what food; I just need food. Yeah. Looking forward to this, even though I am also anxious about it. That’s how the brain works. Art brain is racing forwards and the rest of my brain is trying to make sure there’s enough fabric. And it’s scoured. Crazy, right?
I had this goal to have written the massive Quilt National post by now, having missed two regularly scheduled posts. I had a great trip, easy travel, everything was awesome…then I got food poisoning once I got home. Fun times. I missed school yesterday…I think I actually missed the entire day mentally. Pretty sure all I did was sleep and try to drink things. I’m OK (shaky but functional) today, so I guess it’s all through my system. Going back to school today after missing three days with no clue how far they’ve gotten (although it does not look good). Today will be a catchup day, where I roll around the room on a chair, checking in with everyone. Egg drop Friday. Sex ed next week. It’s a lot. I’m not ready for any of it.
Besides the amazing quilts and people, I did do a few other things in Athens…not much though. I did some stitching…first on Zoom with my stitching friends…
Then more on the plane…
Finished this block at home on Sunday night…
I also went for a couple of walks…one with a friend…
And one on my own…
Ohio is very green.
Walked around an old mill that is now a garden center…
Some interesting things going on there…
Went to a winery…who knew Ohio had wineries? It was nice…
The girlchild was in Chicago at the same time…
This is how I learn geography.
I did manage to cut out some pieces for my quilt on Sunday night…
I finished the rest Monday night…before I went to bed for 24 hours straight. Or more.
I will get to the quilt post…it’s in progress. Today will be slow and lots of sitting down, I predict. I already canceled pilates. Pretty sure I’m coming home and lying down again. But who knows…maybe I’ll bounce back. Those younger years when that was easy to do…miss that. Not all of it…just that bit. This morning, I’m stiff as a board. Too much non movement yesterday. Sigh. OK. Take meds, go to work, survive it, come home and collapse.
I just got back from four days in Ohio…Athens, Ohio (OK, it’s taking me a long time to finish this post, so not really just back…almost a month ago! Hey school ended. Don’t judge too hard.). Where Quilt National takes place. This is my 5th time getting in, and nothing compares to the first time, but it’s still amazing. I wasn’t able to go the last two times…in 2021, there was barely a vaccine, and I was teaching on Zoom, and it just seemed like too much. In 2023, I was still listening to my school district tell me there were no subs, you can’t possibly take time off. I stopped listening to them, because there has to be a balance between work and life, and there hasn’t been. I am glad to have a supportive principal at the moment. So this year, I went. Excited! But even then, I had forgotten the amazing rush of being with like-minded people, artists struggling to create, whatever that looks like, meeting new people, seeing old friends, seeing the art! So my brain is still in exploding mode, and hopefully that will get me through the end of the year.
I didn’t photograph all of the pieces. I get to a point where I can’t. But I tried to photograph every artist with their piece, and details when I felt them. Oh hey! Here’s me. Talking about my inspiration. I kept it short. I read Dr. Clarissa Pinkola Estes’ Women Who Run With the Wolves when I was in college, and then I had signed up for Audible to listen to books when I quilt and clay, and her books about wise women and crones and Mother trees popped up, and I think I listened to two or three of them. I loved the idea of a Mother Tree/Crone who was trying to protect us all, especially the younger women who might not have the resources we older women have (I’m still not old enough to be a crone, but it’ll come). On the left are all the issues with reproductive rights, telling us we don’t have any, turning women into baby factories. On the right is war, Gaza, Ukraine, there’s bombs dropping throughout this quilt, body bags, people crying. It’s not an easy quilt to explain; it wasn’t easy to make. And I’m glad it got in.
Oh yeah, it has a name: Seeking the Crone’s Protection.
And here it is surrounded by other quilts…love to see what’s around it.
Susan Else’s sculpture Something to Say; to the right, Jennifer Candon’sMetanoia, Peggy Black’sPolyphonic 5 to the left of mine, to the left of that, Ruth de Vos‘ Wings of Freedom, and then to the far left, Keetje Abbenhuis’ Trash in Orbit.
Here’s Peggy Black in front of her piece.
Here’s my good friend Dinah Sargeant with her 100 pieces…holy moly. The piece is called Snaps and is all of her scraps made into little snapshots.
A detail of one of the hundred pieces. Not a small amount of work. She made each into a tiny quilt with sleeves and rods.
This is Kestrel Michaud’sEchoes of Time and Magic, part of her steampunk world.
I’ve read articles and watched videos of her explaining her process, which is similar to mine, but uses technology (computers and cutters instead of scissors).
I had a great conversation with her about her technique and materials, and am impressed she has persuaded her husband to make her artistic life easier (more technological support).
I know that if my hands ever give out, I might need to do the same, head to the computer. Not there yet. Nice to know a process exists though.
I saw a few of her pieces at QuiltCon this year; it’s a fascinating way of working, especially after hearing about why (and how) she did the arm and shoulder after an injury.
Certainly very different to how I make work. It has some ideas I might be exploring this summer. Inspirational anyway.
This is Russ Little talking about his quilt to the right, More Than Black & White #4, with Helen Geglio’sMind Map: Compartments behind him. Russ had a fascinating story of the background behind making these pieces.
Also, this is a good example of my forgetting to go back and take additional photos. I was constantly getting overwhelmed by this experience of art and artists, so I apologize for not fully documenting the event.
For instance, this is Gabrielle McIntosh, a math teacher, who was talking about the piles of grading she needed to do (this is Precarious Balance, which is largely how I feel about school on a regular basis).
I meant to go tell her YES. I GET IT. And I never did.
I took one larger picture where you can see those two a little better, on the right. I think when I went back, there were people just hanging out there constantly (table and chairs?), so that’s my excuse.
This is Jennifer Strauser’sSweet Surrender, constructed by starting to stitch on the outside edges and then moving in.
OK, crazy small world (or not)…I just finished trying to watch some of the Making Zen online workshops this week (totally failed last year, due to being in Maine) and I watched hers! But I didn’t realize it was the same person.
It’s a fascinating technique.
And then there’s this, Stefanie Neuner’sThat’s NUTS, about her atypical child and trying to get them help.
There’s a ton of really special embroidery on this piece.
I know it’s emotional for her and am glad she was invited to be part of the exhibit.
Insane amount or stitching.
Cindy Grisdela explained her leaf/pod shapes and her experimentation with color, in Musings II.
Wendy Richardson’s piece Children of War won an Award of Excellence.
So many pieces about war this year. This one is beautiful.
She spoke about the crosses going up into the sky being those who had lost their lives heading to heaven.
I traveled with a local San Diegan, Juli Smith, who happens to be in my modern quilt guild chapter. This was her first Quilt National with Sweet Tooth, due to the sugar packets she originally designed with.
We had a variety of international quilters, as always, with a variety of ways of communicating with us. This is Harue Konishi and her piece Halu #14. She translated her artist speech for Keri Wolfe to read to us.
Great sense of color and contrast.
Betty Busby’s piece Conflict was an intriguing mix of materials and shapes.
Another war quilt…she talks about these being the aftermath of battle scenes. Here she is explaining how she made barbed wire out of fiber.
When I first started paying attention to Quilt National, you could always tell who had taken classes from Nancy Crow. I think Irene Roderick is the new version of that. This is Laurie Paquin’s Composition 3, and she admits to Irene influence. Her piece reminds me of beetles…or brightly colored cars. The thin lines are intriguing.
She won the Emerging Artist award.
I got absolutely no good pictures of Patty Kennedy-Zafred’s long book-shaped piece, Mercato Del Friuli. It’s behind that head. Whoops! I swear, my brain gives out after a while.
I meant to go back and never did. This is where I tell you to buy the catalog. If you can’t go to the show.
I love Anne Smith’s work. So much recycled fabric used in such a fascinating way. This is Elmore & Duke Reminiscing.
Inspirational stuff.
I often wish I could work more like that…more freeform and textural.
She is also a much more careful quilter than I am.
Susan Shie was not at the opening weekend. I’ve met her before. I would call her one of my early influences in the art quilt world. This is her piece Navalny: 9 of Wooden Spoons (wands) in the Kitchen Tarot.
A crazy amount of writing.
This is Rodger Blum’s Seven Angry Men and One Celestial Being…
The surface is very interesting. I’d like to know more about how he does this. .
This is Trash in Orbit, by Keetje Abbenhuis.
She talked about using a particular shape, three sides and a curved line.
Ruth de Vos was also not at the opening weekend (not surprisingly). This is her piece Wings of Freedom.
The bird wings are beautiful.
Isabelle Dupras’s piece Le grand Tamtidelam a deux tetes is a fun folk piece.
It’s also very different than her other work.
I did ask if she had cats at home…
because of these…apparently no.
Cara Gulati’sRainbow Spiral Kaleidoscope is fun to look at (and try to figure out).
His piece is sound reactive, so I spent time staring at it, trying to figure out what it was reacting to…
No real answer to that. Just that it’s reacting. Certainly beautiful and fascinating.
Sandra LH Woock’s piece Day Break is just fun to look at, trying to figure out how she made it.
That website is ancient. Clearly she spends more time making fascinating things than updating it.
This is Danette Pratt’sScream. I wanted to meet her, to talk to her, but she disappeared. Her piece is on the page next to mine, and she has my mom’s middle name.
Plus holey moley, her stitching, that face; they’re just fascinating.
I like it. I like the hand applique with the slow stitching.
The cool shading here.
Just an amazing piece.
Barbara Schneider is amazing at making fabric look like bark. This is Forest Floor, Tree Bark Fragments, var. 10.
You know, one of the reasons it takes me so long to create this post (besides the day job) is that I search out websites for each artist, and THEN I read their websites. So I just take forever.
This is Barbara Lange’sSo Wa Wai. It’s all discharged jeans fabric and there’s an amazing story behind it.
It involves a mom’s love, which is always a cool subject.
This is Heather Akerberg’sDialectic No. 1, which won Outstanding Machine-Pieced Quilt.
I love that on her website, she talks about introducing her team…and it’s her. And her cat.
From left to right, Louise Silk’sGabriel: A Mantle for our Steel Town Angel, all of reused materials. Then Sandy Curran’sSurvivor’s Guilt. And Shin-Hee Chin’sViriditas (Greenness), which won Best of Show.
Here is Jean Renli Jurgenson talking about the fabric she used for her piece Hallelujah.
It was a real pleasure to meet Jane Haworth (I own a small piece of hers) and hear about how she made all the chickens in Let’s Talk Color.
She makes some amazing collage pieces of animals.
And her chickens are gorgeous.
I also talked to Sue Sherman, not realizing at first what other work she had done that I had seen. She’s been creating these animal portraits and they’re mind-boggling. This is The King Family, and they are all painted.
Then the frame is made of all the things the animal would like…such as the squid crown.
Real skill in the painting as well…
There is such a wide range of work that is vastly different from mine…it’s part of why I love these exhibits. This is Seen and Unseen, by Kathy Ford.
She was an architect in her former life, so this is a true departure.
More fascinating closeups.
Here’s a better photo of Shin-Hee Chin’s piece Viriditas.
She’s got some YouTube videos of her process that are just fascinating, but she also talked about the role of classical music in her work.
Looking at it up close does not help explain her process!
I could stare at it for hours.
This one, I could have sworn it was flowers until the artist, Beth Schnellenberger, started talking about the two birds in Double Phoenix Rising (it was my first run through…wasn’t reading labels at all).
She uses a technique very similar to mine (so she understands my insanity).
Brent McGee’s work Apollo and Dionysus is fun to look at…very textural and 3D (honestly probably more fun to touch…but you’re not supposed to touch the art).
I spent some time hanging out with Brent and some of the other artists at a winery Saturday night. It was interesting listening to all the ideas bopping around.
Here is Ann Houle talking about her work Bio-Sphere on Fire.
It’s a fascinating piece to look at up close.
As is this one, Holly Cole’sAdrift, which won the Persistence Pays award.
Intriguing use of materials and development of imagery.
Vicki Conley’s piece Flying has crazy details. These are flamingoes…which explains her headband and shirt…
I had just read an article about her traveling and quilting. She has a setup in their camper and it works. Sounds lovely.
Susan Lapham has been doing these organic plant quilts recently (or maybe forever?), which totally contrast with the more blocky/improv stuff I’d seen from her before. I love this piece, Field Counts 2.
Jungeun Tark’s piece Tea-Bowl of Mama has some very interesting construction going on.
When I think of experimenting with more textural work, this is some of what I think of, at least in parts.
Lousy picture, sorry; I think that woman walked in front right as I took the picture and it focused on her amazing hair instead of Jean Sredl and her piece Shoddy, made up of waste fibers and other fun things.
She talks in her statement about ‘environmental catastrophe’, which is what this piece reminds me of happening.
She moved so fast! She had someone read her statement for her; I found a website, but it’s out of date. That said, her work is fascinating and very textural.
She mentioned that her piece didn’t have any deep story behind it; it was just about color and shapes…it is a fun piece though.
Jan Soules told a story of improv piecing these fish shapes in Two Fish, Blue Fish.
Complicated but also fun to look at and contemplate.
Sarah Spencer’s (aka Io the Alien) work is graphic and in your face, as is the subject of this piece, Queen of Swords, who is Mona Eltahawy.
This is kind of my mood for 2025 (my own Project 2025?), so I love it, and the color. Plus Sarah is fun to talk to.
She’s relatively new to the quilting world, but let’s hope she keeps making these graphic pieces.
I’ve always loved Terrie Hancock Mangat’s work, from way back. This is Vertigo on Cobblestone, which is so accurate for how this quilt feels.
And even better? That skelly under a sheer fabric.
It’s funny that her work and Susan Shie’s are two that I feel really influenced me early on, and I don’t embellish really at all…although maybe I want to? I did crazy quilting, so there is a connection. Terrie wasn’t at the opening, unfortunately.
This is Kathy York’sWhere the Walls Have Eyes piece, where the eyes are inside.
I did wonder if it was on the wrong side, because you could only see the eyes from the top, and most of us were too short to see them…but I don’t know what happened with that.
I didn’t take pictures of everything. I always feel weird about that after, like I would have enjoyed staring at Niraja Lorenz‘ piece Abundance, on the right, for a long time, but I never got there. And there’s Denise L. Roberts‘ piece Finding Connections #26, the red on blue piece.
There’s a point when I feel totally overwhelmed.
This piece was so delicate and beautiful. It’s Dawn’s Early Light by Myania Moses.
Linda Steele’s piece Communication Breakdown is about being addicted to being on our phones, but also a fun use of improv and text.
I realized while wandering all over her website that I’ve seen some of her crazy quilts before. She has a wide range of stuff she creates; truly impressive.
This piece, Cellular Entanglement, by Mattea Jurin, is a very cool use of materials.
The clear vinyl plus stitching plus colored pencil work…
She wasn’t there, unfortunately, because I would have loved to hear her talk about her work.
This is Susan Avishai’sWhere Do the Children Play?, a quilt about the Hamas attack on Gaza.
She uses a lot of repurposed fabrics and texture. But also, wow, another war quilt, and as I’m finally getting around to finishing this post, the day after my country drops bombs on Iran. Sigh.
Doesn’t matter what your politics are…it’s a valid question.
Here is Regula Affolter talking about her piece The WEF Extra’s #103.
She was talking…sorry for the weird face! I do spend more time listening than I do taking amazing photos (as might be obvious).
This is a quote from her statement: “Pieced with dimensional pocket that person can fit in.” Because we need those.
Yes, I know I missed some people and some quilts. I can’t do it all. In fact, in looking at the catalog, there’s some I don’t remember seeing at all, which is kind of mindboggling. I did really really really enjoy the trip though. Totally worth all the school stress going in and coming back. Just getting the chance to hear everyone talk about their work and spending time with artists was a boon to my art brain. So I’ll remember that for the (hopefully) next time I get in. Always go. Don’t NOT go. Now I just have to find the extra frame I have somewhere in the house so I can hang my poster from the show…my 5th! I remember when I thought I would never get in. It feels good to get in.
Hi ho hi ho, it’s off to work I go…except I can’t whistle. I really can’t. Never been able to. There are 19 days of school left. I had myself persuaded that because I was missing part of this week and next week is short because of the holiday, that I only had one 5-day week left. But no. My school board, which is barely sentient some days, decided to add some random 3-day weekends in the fall for unknown reasons that just mess up my students beyond belief, so we are not finishing on a Thursday, but the following Tuesday. Sigh. Don’t like it. So two 5-day weeks left. Yesterday was math state testing; today is science (no pressure, no stress!). I have 3 more classes of big science packets to grade, plus one more class of the last academic thing I should have graded two weeks ago (I’m rolling behind). I have one academic thing from this last Monday that I’ll be grading on the plane if the internet holds. Knock on wood. It would be great to take a long weekend in May and NOT grade shit, but that’s actually impossible. Grades are coming up and there’s no leeway on that end-of-year deadline. For some kids, it’s whether they promote or not. A little high stakes. Fun times. Last year, when we went to Maine for my niece’s graduation, I also graded on the plane. It’s a tradition!
Yeah well. So. Trying to keep my art self satisfied as I manage the end of the school year…so I finished ironing to fabric last night…
I’m surprised this took as long as it did; it’s super uncomplicated and relatively small for me.
OK, it only took a little over two hours…I was just doing a lot of other things at the same time; hence three nights to get it done.
I put a second coat of underglaze on this…
Definitely too much. It’s a good underlayer though. I guess. I had to fix a couple of things again. I seriously think people bump it as they’re pulling their stuff out. Next layer will be more neutral, I think, to match the base. but that’ll be next week. Then I need to do all the details, which will take a million years.
I find this amusing…Amazon misses me. I’ve significantly cut back on my Amazon shopping, either finding it locally or somewhere else that’s independently owned or just not buying it.
Same with Target, but their response was to discontinue my store card. Ah well! Also, not sure what that’s a picture of that I’m gonna like, but I’m not clicking on it. I did panic and buy some Wonder Under last week. It’s already gone up in price and it’s made in Spain. So. Yeah. I think I have a couple years’ worth now.
Sigh. Stupid world. Stupid country. Stupid government. Stupid white men. Watching The Handmaid’s Tale Season 6…dark and sometimes you wanna slap June, but there’s a lot of oh hey, we could do that.
One of the things I’m grading has these snowbaby drawings the kids made. These are both by boys…
But impressive. I told both of them they should take art in high school.
Because it’s such a lucrative job, right? Ha.
This is a little close to home. People give me tea; ironically, I mostly only drink one kind.
But I understand this. There’s always a cupboard.
The Man’s carnivorous plants are cute but deadly.
That bug is living dangerously.
OK. I started packing last night. And panicking. Oh wait, no, I’ve been doing that for days. It’s fine. I’ll get to the airport and be fine. I’ve mostly resigned myself to having some random center seat for both flights, but maybe I can wangle an aisle. I’m also resigned to being half asleep for days. Also was joking last night about what to wear to the slightly fancier artist reception and banquet…probably jeans and a t-shirt were out. The Man says, well black. With black. I said but fancy. He said Fancy Black. I said, oh hey, also cold. Fancy Warm Black. But sometimes it’s warmer inside and cold outside. Fancy Warm Black LAYERS. Yup. That’s me. Although I found one thing that’s not black. For once. PACKING. Plus that’s after school and prepping for a sub and grading all the things and pilates. So good luck to me. And then up at Fuck It in the morning and getting on a plane to art things. All good. Should do more of it, but it’s expensive and stressful. So there’s that. Balance! I suck at it.
Kathy Nida 