Neck is still messed up. Call to chiropractor today. Same with the pool. Whatever. I survived yesterday with about 300 people saying or singing happy birthday to me. I think 6th period was the most melodic AND in tune. Fourth period was just screechy and although 8th period was a nice volume, they only knew three notes.
I sat through a union meeting and drew this…
I have two drawings in my head that are Big Heads (way bigger than this…the sketchbook is probably 6×9″). Need to find time for that.
Then a quiet evening with pizza, Walking Dead, and my sofa companions, some more needy and some more verbal than others. Then I did the dishes and put the dishwasher stuff away, wrote an email to my union people about what happened at the meeting, moved a bookshelf (17 other pieces of furniture had to move first), and finished putting fabric away. While I was doing that, I remembered Amanda Palmer had posted on Facebook about a new song, a serious song, not a last-minute plinking of the ukelele (not that I mind those), and I scrolled through until I found it…listening to the song, I read the story behind it, which is sad, of course. But this part got me…photo of babe in suitcase while she tries to finish writing a song all night. Being an artist AND being a mom…two of the hardest jobs to juggle at the same time.
And I like that…“you are either going to be the person who stayed up and wrote the song, or you’re going to be the person who went to bed and didn’t write the song.” I don’t care about the boring fucking parent side, but I guess I was always the one who stayed up and made the art. Who made it despite parenthood and divorce and all the other crap. I think that’s the artist’s drive, the one that woke me up around 2 AM with this vision of a drawing in my head. Anyway, the song is good…see link below for the story and the song. I read it while I listened, which I think is the best way to do it.
So in the light of being that person, the one who stays up late to have her other artistic life, here’s what I did after 10 PM last night. First of all, the damn Wonder Under is being an asshole. Here are all the released pieces.
So when I’m ironing, if a piece doesn’t have the web on it, I do this kindergarten-level pattern matching. It has a pointy bit here, it’s long and skinny there, and I try to match them up. If I can’t, I trace a new one. It is a rancid pain in the ass. It’s like an online intelligence test.
Here’s the first 100 laid out.
I honestly didn’t get far, through the 50s and into the 60s I believe. Tiny little pieces and a tired little brain. But I started and that’s what matters. Now I have a plan for the next few nights. This is one of my favorite parts of the quiltmaking process, picking out the fabrics. The piece isn’t even colored in my brain. I just stare at the drawing and imagine it in a variety of colors as I’m picking stuff.
It’s a little crazy actually. The background is on the left. The stuff I’ve used so far is on the right. This drawing is small enough that right now I have it just sitting on the ironing board. Easier to see what’s what, cuz that’s some tiny-ass pieces.
I got to a stopping point and was trying to straighten other stuff up in the studio, when I realized I had a piece of dowel that would work for the SAQA auction piece I bought last year and hadn’t hung yet. I cut the dowel, stuck eyebolts in, and then realized it was REALLY tight. The sleeve was tight against the piece…making the dowel bulge out…
It’s hard to see in this picture, but look on the left, where you can see the bulge of the dowel. I hate that. I always leave room in my sleeves so that won’t happen.
So I ripped the bottom edge of the sleeve and repinned it.
And then I’ll sew it down where it belongs. So I can hang it up with all the other art that needs to get hung up.
Wow. Tired. Sore. But looking forward to that late night tonight when I can hang with the fabric again.