Dinah Sargeant – Kathy Nida

Well this is a weird time for me to write, but it’s the time I have. My brain is in some sort of stasis mode in between work and sleep, or maybe somewhere else. I’m trying to bully through the to-do list for today but also to get ready for school tomorrow. I need a certain mindset to get there, and a brain dump here will help with that. I have science sussed out for tomorrow and mostly the rest of the week, although I have to set up and test the demo for Tuesday and finish posts for the rest of the week, but I have done NOTHING (let me emphasize how big those capital letters are…they are as big as a redwood tree looming over me) for the art classes. And maybe Advisory, which I worry less about. I finished grades Friday night around 11 PM and went to bed fairly early. Exhaustion is here and in my face all the fucking time. I graded all through online gaming and managed to pay attention somehow, although not to the level to which my co-player expects. It’s easy when you don’t bring your job home with you. My job is always here and currently making me grind my teeth in a very vexing manner.

Yeah. That.

So I posted last on Friday morning. I’m really trying to get back on an every-other-day schedule, best I can, not for you, my dear readers, but for me, the crazy brain that needs a focus, a goal, a written document of what has gone and what is to come, so I can actually DO some of it and maybe celebrate some as well.

Saturday, I packed up three quilts for delivery to the Front Porch Gallery.

California Fibers’ show Figuratively is opening there October 4 and continues through the middle of November. Enjoy! I have three pieces in the show.

After I did that, I worked for about 2 hours, trying to make sense of the new science curriculum and my stupid schedule that starts next week.

Yes, I stand there. I sit too much right now.

Then we dropped off the three quilts for the next show. From there, we wandered over to the Oceanside Museum of Art for the Southern California Contemporary Quilts exhibit. That link also has a slide show of the whole show, if you’re interested. I would suggest going online and reserving a ticket and time for an in-person view, but I realize not everyone can do that, so the slide show is what will suffice.

This is Libby Williamson’s piece Burn Cycles at the entry point.

I am a haphazard photographer of shows when I don’t have to document them, so I can’t even say these were my favorites, but maybe they were at the time.

This is Lisa Kijak’s Neon Pacific.

Lisa was there with her family while I was there, but I was apparently not in a sociable mood and didn’t say hi, but I do love her work.

I also liked Nancy Lemke’s work Seaside 1.

I was intrigued that the hand fabric is one I own. My gallery co-visitor mentioned that I never make hands out of one piece. Well sometimes I do, but not this big.

Charlotte Bird’s Southland Odyssey is amazing…

Lots of details here.

Intriguing construction too…

Lots of So Cal details.

And one of my favorite artists, Dinah Sargeant, with her piece Spines Return.

Plus a fun wall shape by Gillian Moss, We Came, We Liked, We Stayed.

There are other exhibits in the museum, including a large plein-air collection from Gardena High School, but also some photo and ceramic pieces by Pamela Earnshaw Kelly

I get overwhelmed in museums at times and stop taking pictures of signage…so no names on these two…

But those two were my favorites, and I liked the graphic quality of the little room of pieces by Allan Morrow.

Oh yeah, and my piece, So Cal Mama…

She was pretty nice too. I recorded video for my Patreon of this and a little of the rest of the show. Hopefully that will get processed in the next 24 hours.

Our current Saturday goal includes a walk and food. Because we were already in Oceanside, we went to Guajome County Park and walked around there…

They claimed it was 4.3 miles, but I think we did something wrong, because it was 3 miles.

Different plants…

Still too suburban, so too many people.

It’s hard to get around all that at the moment.

And then we had our first restaurant dinner since everything closed down in March. I remember being in a restaurant the Saturday after the schools closed, but not after that. We did eat outside, near the edge, far enough away from people, but I didn’t have my hand sanitizer with me, and I wanted it. So I’m still not comfortable with it, but maybe that will come. Or maybe it shouldn’t.

Also apparently some parts of the PCT are in my future, assuming it opens. We’ll see.

Today has just been crazy trying to do all the things. I needed a new sun shade for the window where I work, because the old one broke on Friday and it’s supposed to be in the 100s all freakin’ week holy shit i’mma gonna die. I needed some bins to pack up fabric. I apparently may have sold the quilt that isn’t finished yet…I’ll wait on the contract and deposit for that maybe. For now, it’s a nice feeling…and I need those. Hey Nova…that’s my clean laundry.

She knows. She doesn’t care. And Kitten has taken over my paper box.

So much for getting paper out. Cat in way.

Ah. So it’s after 6 PM, and I still need to post school stuff, or in some cases, create school stuff that does not currently exist anywhere, not even in my head, and I need to finish the ceramic and fabric pieces that are supposed to be done this week, and then finish the quilt that is almost finished so I can make money off of it, because I need some money coming in soon, and then maybe even sleep tonight (ha! Such a joke) and not worry so much about everything under the sun, even though that’s how my brain works and I’m not very good at making it stop. Yeah. All those things.

I have some favorite artists out there. One of them is Dinah Sargeant, whose work I’d seen on and off in books (Quilt National, Quilt Visions, etc.) over the years. I think the first piece of hers that I saw in person was in SAQA’s traveling exhibit Creative Force, which included one of my pieces as well. I stared at hers for a long time…her work seems to ask for that level of attention. I had the pleasure of finally meeting her at the Visions opening last October.

I saw a notice of a solo show of hers up in the Los Angeles area, opening last weekend, and I thought about going up there. It was the first day of my Spring Break; plus we have friends up there that we rarely see. It’s a trek to LaLa Land, but it seemed like something that was worth doing, so we headed out Saturday morning.

The exhibit is at College of the Canyons Art Gallery in Santa Clarita, California, and runs through April 25. The exhibit may be viewed Mon-Thurs 11:00-3:00 or by appointment. I know the hours are limited, but it’s worth making a call to see it.

The exhibit was well worth it. I’ve never seen so many Sargeant pieces in one place, and I had never seen one of her dolls in person, only in pictures. Both fare much better in real life, and the gallery was well-lit and a big, open space that was well-suited to standing back and giving her work some space.

Her dolls invite careful examination…there are so many details and the hands are fascinating…

Her website has closeups of many of the dolls (I was not great at taking photos, again!). I did get a closeup of this one’s face and heart area…

The arrows shooting off the head and heart area, combined with the hand-stitching on the face (and the beautiful quilts behind!) made this doll one of my favorites (of course, I forgot to get its name).

This is 2-Be…a much darker doll, with a plastic belly ball full of liquid and fetus…

Behind her is Seer and Fledgling…here is a better picture of Fledgling…

But even that doesn’t do the piece justice. The color vibrated in the light-filled gallery. The face is enigmatic; the figures are vague shapes, but even then, it is clear that the figure holds a bird and a nest is behind. Someone is being helped out of the nest.

Echo was another favorite of mine, with the dogs in the bottom left and the ribbons spiraling throughout, seeming to encircle imaginary figures.

It’s interesting that I never saw the face in the bottom right until I was looking at the photo here. There is so much depth of color and imagery in her work that it takes a long stare to believe you’ve seen all of the piece. Like I said, these are so much more alive and intriguing in person…I am so glad I went up to see this exhibit.

This piece, Link, was installed under beautiful natural light, which highlighted the colors and depth of dye throughout.

There is a sense of escape in the birdlike creatures who fly up, while the other figures sit in their glass domes, connected only by the orange line.

This gives you a better idea of the space given to each piece…it’s amazing how clean white walls enhance the work.

Orbit is the doll on the left, and the quilt is Tentacle Woman.

The movement in Sargeant’s quilts is part of what draws me to them, along with the use of color and abstraction. You know there is a great deal of emotion in these quilts, as they try to communicate with you. They just keep pulling me back to try to make sense of the message.

I recommend the exhibit…it’s worth a trip if you are in the Los Angeles area. I will be enjoying another one of her pieces at Quilt National in May.

Tag: Dinah Sargeant

Does Not Currently Exist Anywhere…

Dinah Sargeant at College of the Canyons