Educating the Art Quilting Masses

I’ve been watching Quilting Arts TV episodes while ironing over the last week. I actually have all but Season 1 (there are 8 seasons), although I have to admit that some were gifts and some I bought when they were having a special deal.

You might wonder why I, freaky art quilter, would be interested in these at all. It’s true they are heavy on educating the dabbler in the art quilt world. I don’t think this is a bad thing for most people. Each episode is 30 minutes and usually has 3 segments that are related in some way. During a single season, a demonstrator may be on two or three episodes. There are some interesting sections with art quilters talking about technique, process, and inspiration.

I do get tired of the cute little gift projects (although I saw one the other day that might work for Xmas, so there we are); I don’t want to make my own totes or petwear, although I admit that some people will, and some people just were way too nervous to watch. Most seemed knowledgeable about their process. There is a regular section on the later episodes called Save My UFO, where viewers send in a quilt they don’t actually know how to finish and Pokey and another artist make suggestions. This is interesting to watch, but I think it’s because I think this is the strangest idea…half the time I think the suggestions are wacky (a couple were right on, but they mostly involved redoing the whole thing); the other half make me want to bang my head on a desk. That said, I’m not your standard art quilter, so my judgement might be a bit off. I think artists (and artists-in-training) should be OK with abandoning or completely ransacking a project if it’s not working.

That brings me to a blogpost I was reading comparing Fons and Porter’s quilting TV show to QATV (how can I not like someone called The Cranky Quilter). The writer describes art quilters in a particularly offensive (and yet often accurate) way (um, yes, I miter and do all that stuff)…I laughed at her descriptions, because some art quilts do look to me as if someone watched a season of QATV and then used every technique they could on a single quilt. There is something to be said for at least a few basic art classes, whether art 101 or drawing or painting…although there are some outsider artists who just have an eye for balance and composition genetically. Mostly though I think there is a stage artists go through that is all learning and not very pretty, but it’s all very normal.

Just so you know, the season DVDs are a whopping $39.99 each, but they often go on sale if you buy more than one at a time. They have also started selling single episodes of seasons 6 and 7 for $3.99 apiece, so potentially you could skip the ones you don’t want. There are about 13 episodes per season, so it is cheaper to get the whole season.

I should also out my serious early addiction to quilting shows, back when my local station would actually schedule them…that was years ago. I contacted my local PBS station after they cancelled all the relevant shows, and they said there wasn’t enough interest. I only half watch any TV (right now I am sitting through the 2nd episode of West Wing…again…because my TV-viewing partner never saw all of them, so I am writing this instead…this was started during the boychild’s piano lesson), so it’s not like I’m avidly watching. But I did stop what I was doing to listen to Jane Dunnewold and Deidre Adams and a few others. Ideally, your local PBS admits that quilters watch TV, and you don’t have to pay for the episodes. But I can think of at least a few of my readers who shouldn’t watch at all, because it will just irritate them…you know who you are.

Also, sometimes the projects just don’t work very well…mostly in surface design. I guess that’s true in real life too.

Another way the masses might get educated would be the eMag In Stitches, also published by the QA people at Interweave Press. I would like to like this…

But I just cant get into them. They’re hard to remember to look at, and I can’t get through them in one sitting. If I had an iPad, it might feel more portable…I usually read quilting mags while cooking dinner or waiting for soccer to start, so having it on my home computer is not particularly helpful.

I like the short videos…they’re short enough that I don’t need a big chunk of time to watch them. The other things that slide around or pop up just seem to be there because they can be. In Stitches was $14.97 for the first 3 issues, but dropped to $9.99 for the most recent issue. I didn’t analyze whether the newest issue is shorter to match the lower cost; its interesting that they have adjusted the price…it implies that people weren’t willing to pay the higher price.

There are other free downloads from a variety of places; I see offers all the time, but rarely download them, because I probably will never look at it again if it’s on my computer. Often they are just like a printout on a screen, hard to read and scroll through.

Educating oneself in quilting stuff doesn’t have to be a download or a long video…there are many classes online. I can only talk about those I have actually experienced. I would highly recommend Jude hill of Spirit Cloth. I would suggest you read her blog for a while before choosing one of her workshops. I think she is doing a great job of encouraging people to do their own thing (although some will always copy), but her style will not appeal to those who want direct instruction. She has workshops that run from 1-6 months, and she now has classes where you work on your own, presumably watching her videos and reading instructions without group interaction. Those run from $29-39, with her workshops running more than that.

One of the early online class companies was Quilt University. They claim 90,000 students in 2500 classes over 11 years. Classes run about $9/week, with classes lasting 3-4 weeks (some longer) and costing $27-64. Both my mom and I have taken multiple QU classes…mine were mostly batik and dye classes, but I liked that I could work at my own pace…it’s been years since I’ve taken a QU class; I can only assume their interface is continuing to be updated. It was easy to use a million years ago; I doubt that’s changed.

The last person I’ve taken online classes from is Susan Sorrell of Creative Chick Studios. She teaches creative hand-stitching and collage techniques with fabric. Classes cost from $25-60 and run from 2-6 lessons. She has a great sense of humor and gives lots of ideas while encouraging students to branch out from her style.

So educating yourself in new art quilting techniques (new to you, not new to the world) is not difficult. You just need money and either the Internet or a DVD player. If you are experimenting, I would suggest getting a group together and sharing the cost of materials. It’s even better if you can find a member of your group to teach a technique they already know, which may help you be more successful. Or you can work alone at home, like I do, with the help of an online community, such as those provided by Jude, QU, or Susan…your choice. You can also figure it all out on your own…but assume some of it will be a UFO that not even Pokey can save. Please.

IQF Time Warp 3

I’m up after a whopping 3.8 hours of sleep, thanks to the teens (it’s only once a year)…I can’t even make tea, because it will make too much noise…I’m only up because one of the girls had to leave super early for a soccer tournament. Ugh. So what better time to finish off the IQF Time Warp of quilts I saw in Houston last November and haven’t had time to post? Yeah. I know. These are pieces that caught my eye…I can’t always explain why…

Lauren Strach created the brightly colored Saguaro Familia, in which she sees a mother and child saguaro.

I thought I had a closeup of the cacti themselves, because her technique was really interesting…lots of texture.

In the Holy Crap Someone Painted That Category is Annette Hendricks’ The Solace of Persephone.

Hendricks was very successful with the painting of Persephone, and the riotous addition of roses adds to the complexity of the piece. I suggest you check out the detail shots of her other quilts on her website…her stitching is amazing.

This quilt, Wings, by Rory Ross, intrigued me because of the work she did to make the tumbling blocks pattern overlay the wing pattern…

Apparently this is a fabric version of a painting she did earlier; it was done with Wonder Undered pieces and then machine-stitched with blanket stitch. Ross quit quilting in the 90’s due to back surgery and this was her re-entry…very interesting to look at up close.

Kathy McNeil created Heron Happiness using applique and sashiko-style quilting on silk dupioni (which just for the record is gorgeous but crazy).

The detail in this quilt is also amazing…on her website, you can see some of her other nature-based quilts (although the interface may drive you crazy)…she wrote an article for Quilters Newsletter about creating her quilts from front to back in applique, so she can move the main focus around on the background and make sure the background doesn’t overwhelm it.

From realism to abstraction…this is Beyond by Kathryn Botsford, part of the O Canada 2010 exhibit…yes, I wrote about her quilt in the new O Canada exhibit as well, so I must have a thing for her chaotic quilts…

This is based on Lonni Rossi’s Typospheres fabric line…reminds me of planets.

The next quilt uses a lot of negative space combined with art-nouveau-like florals…turns out this is Hisae Abe’s Istanbul’s Flower.

She based the quilt on her travels in Istanbul, which I would not have guessed. This is all hand-quilted.

This quilt is based on a tropical birds coloring book, but after looking at some of the coloring book pages online, Donna Gilbert did a lot of her own drawing to make Tropical Beauty.

I do love hand applique, and the trailing vines and colorful birds on this delicate quilt are beautiful.

By the way, the reason I didn’t finish this post yesterday is because WordPress is still deleting parts of my posts as I save them…so I had to rewrite half of what’s above this, and then I got frustrated, so I left it all day (well, there’s the part where I had to drive 5 hours roundtrip to Monrovia to pick up my car and go to a friend’s party and then catch up on some of that missed sleep)…I did finally send a message to WP and hopefully they will figure out what the issue is and fix it. Or not.

Anyway, here’s the rest…

I loved this quilt, but people were always standing in front of it and then I was getting tired of taking pictures anyway, so all I have is a single block…and I don’t know whose it is…and I googled around a bit but didn’t find it, so now I feel really lame about that…but it’s a really cool block!

Lots of tiny details and interesting fabric usage…this was not part of the Baltimore Album exhibit…

This quilt was essentially part crazy quilt, part kimono collection…this is Yoshimi Umemoto’s Dream Story

based on a class with Sachiko Yoshida, using antique kimono fabrics. The movement across the quilt seems chaotic, but is quite controlled…look at the large flowers and the purple and beige checkerboard as it brings your eye across.

Cynthia Goodwin’s quilt Multiple Personalities has great balance from a distance…

but the best parts are close up…

Goodwin’s thread sketching is impressive and adds interest to the quilt.

This is Hale’aina by Kristin La Flamme

I own one of her smaller house quilts, and I continue to like the larger pieces as well…the sense of rooting the house in the earth and her use of negative space are both appealing to me…as you can see, because I also have a picture of her Rooted X

with its focus on the roots themselves.

I love the Andy Warhol aspect of Andrea L. Stern’s Marilyn, referring to Marilyn Monroe…

As Warhol did with Marilyn and soup cans, and Monet with his haystacks, Stern has focused on showing the water towers in all their sequined glory…in real life, this quilt sparkles. I love the bling associated with the object that so many of us ignore.

This piece was also in Long Beach and I had to take another close look at it…this is Shirley Gisi’s The Grandest of Them All

A closeup shows you the details of her lines…which are quilted and then probably painted…

I thought it might be pen, but she lists painting as part of the process. The colors are gorgeous.

I did take pictures of some other quilts, but I think I had hit overwhelmed state, because looking at them now, I’m not that interested in them. If my mom blogged, you would probably see a picture of every quilt in the show…which might be more interesting for those who can’t go. I do know that I will miss seeing all the Houston quilts this year…it’s too bad that more of them don’t travel to the other IQF shows…trying to pull off a trip in early November, competing for school and soccer, is difficult, not to mention expensive. I guess I can put it on a 5-year plan? Maybe? We’ll see. The trip was definitely worth it…and I enjoyed it…but I probably won’t go again until I have a quilt that gets in. And no, I don’t actually enter the IQF show, so it’s like the lottery…I’m unlikely to win if I don’t buy a ticket. I’ll have to keep that in mind…especially after seeing Stitched and the awards ceremony.