I’m Not Crazy at PIQF

Last weekend, I boarded a plane Friday night with my flu virus and some cold meds and kleenex and sore-throat lozenges, and I made my way northward to Santa Clara, California, where the Pacific International Quilt Festival was taking place. I had never been to one of the Mancuso shows before, but knew it had a mix of art and traditional quilts, much like IQF, but with more emphasis on the traditional.

I went to see my curated exhibit I’m Not Crazy, which opened back in August, but only travels to California once in the year. I was looking forward to seeing the pieces in person, since pictures don’t do fiber art justice, most of the time.

My camera card ate my photos (it may spit them out again…it has done that before), so Tanya Brown was nice enough to take some for me the next day…Here are the three sections of drape that we had for this show.

The first section with what I call The Face Wall, staring out at those who walk by…

And its facing wall…

Below, Sylvia M. Weir’s Insane Asylum and Karen S. Musgrave’s Glimpses of the Dark Angel.

The coloring on each of these two pieces is beautiful in real life.

Below, Mary B. Pal’s Stogie, Lois A. Sprague’s Moody Blues, and Kathleen McCabe’s What Next?

I love the range of expressions in those three pieces.

Below, Carol Howard Donati’s In My Head and Cynthia St. Charles’ All Alone and Blue.

Both pieces have hints of traditional piecing and patterning, but the details of quilting and pattern move beyond the traditional.

Below, a general view of the second section…

And the other wall of that section…

Below, Gerrie Congdon’s Alternate Universe and Salli McQuaid’s Bipolar 1: Loco.

They echo the movement in each other. Salli is our catalog designer and we are very appreciative of all her hard work on the project.

Below, Susan Lenz’s Held Together by a Thread, Judith A. Roderick’s Red Ravens, and Harue Konishi’s SYO#42.

.

Below, Nancy L. Bardach’s Running Through and Connie Rohman’s Woven (for Jack).

These two quilts seem to speak to each other. I hope we get a gallery exhibit for these at some point, so they can have more space around them, but they did play well together despite the limited space.

Below is one side of the third section…

And the other side…

Below, Jane B. BroaddusAnother Panic Attack and Lea McComas’ Recovery.

Both of these had lots of surface design and embellishment that worked well with their chosen images.

Below, Melinda Bula’s Good and Plenty and Karol Kusmaul’s Whee at the ALF.

This picture shows more of the texture that was visible on these two quilts than the pictures I had for their entries…so it was nice to see that in real life.

Below, Elizabeth Michellod-Dutheil’s Mal Etre and Judy Kirpich’s Circles No. 5.

The circles seem to lead the eye from the left piece to the right. It’s always interesting to see it hung in real life, instead of just laid out on paper. It was harder to visualize the works together in the space than I thought it would be…I would think it would be easier if I had them in the space and could choose the hanging order. That said, it is a beautiful show, thanks to all the hard work of the artists and Sue Reno’s decisions on which pieces to include. I’m looking forward to seeing the catalog, which is in process. I’ll announce its availability when I know it’s coming out. I appreciate SAQA for giving me the opportunity through the curator-in-training program to put this exhibit together; Kathleen McCabe, Martha Sielman, Eileen Doughty, Lisa Ellis, and Bill Reker for their help within SAQA with the process, the website, the shipping, and the entry program; Mary Claire Moyer and the Mancuso Brothers for helping SAQA and me, and giving us the exhibition space; and Sue Reno and the artists for working with me to create a great exhibit. The feedback we’ve gotten has been positive, which is a plus.

The show continues through May, following the Mancuso shows in Florida, Virginia, New Jersey, and Colorado, having opened in New Hampshire and already traveled to Pennsylvania and now California. Hopefully we can add some venues to the end of that, because I think the show deserves a gallery space somewhere.

One Response to I’m Not Crazy at PIQF

  1. Thanks for posting this. It’s nice to see how the exhibit looks in different venues. I hope I will have the opportunity to see it in person. Thanks also for all your work.

    Like

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